Clarion Folk College – May 30 - June 1, 2003
Program Details
Friday 2:00pm – Registration and Dorm Check-in
begin – Founder’s Hall Lobby
Friday 3:00 - 4:00 – Pre-Festival Workshop 1 -
Founder's Hall
The Very Basics – Connie Ingram – beginners
Do you get confused when someone uses music jargon such as “play it in the key of…”, or “use the I, IV, V chords”, or “let’s play a Celtic tune”? In this workshop, we’ll discuss the basic elements of music, including pitch, intervals, harmony, and rhythm. This beginner workshop is designed to get you started in speaking the language of music.
Contradance Tunes – Rachel Hall of Simple Gifts
– advanced beginner & up
Come experience the joy of playing the music that
accompanies these popular American dances. We'll play through the medleys planned for Saturday's
contradance and learn basic arrangement ideas that make them come alive! Music
and chords will be provided.
Old Timey Music – Atwater/Donnelly – advanced
beginner & up
Aubrey and Elwood will teach some of the old timey tunes and songs they have learned in Appalachia and beyond and help you adapt them to your instrument. We’ll learn by ear, and sheet music will be provided at the end of the workshop.
Medieval Music – Hesperus – advanced beginner
& up
This will be an easy introduction to music from the 12th-15th centuries, including dances, Spanish cantigas, and French virelais by 14th century composer Guillaume de Machaut, whom Hesperus considers to be the real father of the blues. We’ll learn by ear, and sheet music will be provided at the end of the session.
Friday 4:15 - 5:15 – Pre-Festival Workshop 2 -
Founder's Hall
More Basics – Connie Ingram – beginners
Let’s continue learning more about “The Very Basics” We’ll be building on what we’ve learned in the earlier workshop, but feel free to come to this even if you missed the first hour.
Songs of Minorities in the West – Sparky &
Rhonda Rucker – all levels
Sparky & Rhonda will teach some of the hidden history of the American West through song. You’ll learn some interesting and different songs, and we’ll have a good time singing together. Instruments are welcome too!
Irish Tunes – Changeling – advanced beginner
to intermediate
We’ll look at a few commonly played Irish tunes and explore the stylistic nuances needed to give them a true Irish flavor. Tunes will be taught by ear, with music provided.
Swing Tunes – No Strings Attached –
intermediate to advanced
“It don’t mean a thing if it ain’t got that swing!” Let’s see what we can come up with…and remember, it’s gotta swing. Tunes of the 30s & 40s will provide the focus for arranging and soloing in the swing idiom. We’ll be learning by ear.
Take the workshops home
with you
Bring a tape recorder and
batteries to the workshops!
Friday 5:00 – Reception - Founder's Hall
Reunite with old friends and meet the new folks. Light
snacks will be provided.
Friday 7:00 – Staff Concert - Hart Chapel
Changeling, Atwater/Donnelly, Hesperus, and Sugarfoot perform.
Friday 9:00 – Jamming
Slow Jam: Atwater/Donnelly - Library on the right
Singing Jam: Sparky & Rhonda Rucker - Library on the left
Advanced Jam: No Strings Attached - Chapel stage
Celtic Jam: Changeling - Founders on the right
Songwriters’ Gathering: Small Potatoes - Library entrance room
Coaching: Simple Gifts - Chapel basement
Friday 11:00 – Jamming - Campbell Hall Dorm
Late night intermediate-level jam with Howard and Jodi Blumenthal in the dorm lobby.
NEW this year: Organize your own jam in the dorm
Saturday 7:45am – Registration resumes in
Marwick-Boyd Building
Continental breakfast provided
Saturday 8:45 – Orientation Meeting –
Marwick-Boyd Auditorium
Meet the staff, sign up for a folk band, and get oriented as to what’s happening for the rest of the weekend.
Saturday 9:30-10:45 a.m. – Workshop 1
The Very Basics – Connie Ingram – all
instruments – beginner – Room 213
Do you get confused when someone uses music jargon such as “play it in the key of…”, or “use the I, IV, V chords”, or “let’s play a Celtic tune”? In this workshop, we’ll discuss the basic elements of music, including pitch, intervals, harmony, and rhythm. This beginner workshop is designed to get you started in speaking the language of music.
Intro to Improvisation – Randy & Wes of No
Strings – all instruments – adv beginner – Room 212
We’ll explore some of the basic techniques of improvisation. You'll learn how to recognize chord progressions, use different scales to create your melodies, and most importantly, see how to experiment. We'll use some well-known examples of chord progressions to illustrate the points.
New England Tunes – Lissa Schneckenburger –
all instruments – intermediate – Room 231
We will focus on one or two tunes from the New England fiddle repertoire, with special attention to style, ornaments, rhythm, and playing for dancing. Tunes will be taught by ear.
Arranging Celtic Tunes – Changeling – all
instruments – intermediate – Room 145
How do you take a Celtic tune and make it into a performance piece? Techniques will be explored for adding interest to tunes and songs by layering and texturing with different voices, dynamic variation, use of tag lines, etc. Learn new arranging tricks to put to use in your Folk Band!
Swing Tunes – Pete & Bob of No Strings Attached
– all instruments – advanced – Room 214
Learn some classic tunes from the swing era, and pick up some tips for soloing on those standard chord progressions. Pete & Bob teach the tunes by ear and provide the rhythm section.
Saturday 9:30-10:45 a.m. – Workshop 1 (continued)
Morning Jam – Simple
Gifts – jam – all levels – lobby or outside
Anything goes in this
laid-back, fun jam session. We'll play a variety of styles; all levels are
encouraged.
Civil War in Song –
Sparky & Rhoda Rucker – lecture – Little Theatre
This program gives the
history of the American Civil War through songs and narrative. The stories,
some sad and some humorous, reflect personal insights from the various
personalities who participated in the war.
Harmony Singing –
Small Potatoes – all levels – Sandford Gallery
Come learn various approaches
to singing harmony, from very simple to complex. You’ll learn how to hear
harmonies and build your own, and we’ll look at methods to create more
interesting and innovative harmonies that will enable you to add color and
interest your singing. Songsheets will be provided.
Beginning Clogging –
Sam Bartlett of Sugarfoot – no instrument – beginners –
Auditorium
Absolute beginners are
welcome in this class. Just bring your feet – no taps please. We will
dance to old-time music and go from the bare bones of the buck-step and simple
shuffle steps all the way to the Tennessee walking step. The focus will be
rhythm and phrasing in freestyle dancing. Come find out why people love this so
much!
Beginning Guitar –
Tom Domany of Out of the Blue – Room 146
For the absolute beginner,
we’ll look at how to hold and tune the guitar, then advance to easy
chords and strumming patterns.
Finally we’ll apply it all to a tune and get you ready to join in
the evening’s slow jam.
Hammered Dulcimer for the
Curious – Dori Domany of Out of the Blue – Room 120
As a hammered dulcimist, Dori
is constantly being asked, “What is that Thang?” That Thang is a
beautiful sounding and easy to play ancient instrument. We’ll have a few
hammered dulcimers on hand for you to examine and play (or bring one if you
can). You’ll hear a brief history of the instrument and learn some basics
that can get you started playing.
Mixed Bag Percussion
– Elwood Donnelly – Room 148
Learn to play or hone your
skills on bodhrán (Irish hand drum), bones, limberjack, spoons, monkey
pods and more. You’ll learn some basic percussion skills and etiquette
for playing with other musicians.
Beginning Folk Piano
– Jodi Blumenthal – Room 209
The wonderful thing about the
piano is that it is so versatile. In folk music, it can be used for rhythmic
backup, melody and harmony, introductions and endings, and adding fills into
the music. Learning a little bit about piano can also help you with music
theory and "visualizing" music on other instruments. This workshop
teaches the basics, including hand positioning, secrets of key signatures and
chords, and how to keep a steady rhythm. A roomful of pianos will be provided.
Saturday 11 am-12:15 pm
– Workshop 2
Tips for Beginners –
Well Tempered String Band – all instruments – beginners –
Room 120
Bring you instrument of
choice and your voice! Looking at
music from the American old-time Appalachian tradition, we’ll cover
tuning, playing melody, changing chords, keeping the rhythm steady, and simple
harmony.
Playing Musically –
Members of No Strings Attached – all instruments – advanced
beginner – Room 212
For the budding musician who's got a few tunes under their belt, the next step is to learn to play those tunes more musically. We'll look at how to get the sound to flow smoothly and how to phrase the music to make it sound more pleasing. We'll also experiment with dynamics (loudness) and different rhythms.
Old Timey Music –
Aubrey & Elwood of Atwater/Donnelly – all instruments –
intermediate – Room 231
Aubrey and Elwood will
present some of the American dance tunes and traditional songs they have
learned in Appalachia and beyond and help you adapt them to your
instrument. We’ll learn by
ear, and sheet music will be provided at the end of the workshop.
Saturday 11 am-12:15 pm
– Workshop 2 (continued)
Adding Stuff to the Music
– Karen Hirshon of Simple Gifts – all instruments – advanced
– Room 214
Simple Gifts often finds
themselves in a situation where Linda is on the melody, Rachel is playing
backup, and Karen does something that’s somewhere in between.
They’ve come to call this “stuff.” Karen’s stuff
consists of fills, syncopations, and rhythmic and melodic variations. In this
workshop, Karen shares her ideas on how to successfully play the stuff that
isn’t melody or backup, though sometimes includes a bit of each, and
certainly goes a long way toward making a band’s sound special.
Hidden Gems in the
Fiddler’s Fakebook – Howard & Jodi Blumenthal – jam
– lobby or outside
We’ll focus on some of
the lesser known but truly wonderful tunes from the Fiddler’s Fake
Book. Bring your fakebook, any
discovered tunes, your instrument and let’s have fun!
Anatomy of Irish Music
– Deborah Colón of
Changeling – lecture – Little Theatre
Do all Irish tunes sound
alike to you? Ever wonder how
they’re put together?
Deborah presents an introduction to the structure of Irish music,
demonstrating different types of tunes and ornaments and showing how they
combine in a line of Irish melody.
Songwriting – Small
Potatoes – all levels – Sandford Gallery
We will discuss a variety of
songwriting techniques: how to get started – how to take that good idea
of yours and start molding it into a song (and how to get that good idea to
start with), what makes a song work, how to fine tune it into something
special, and how to keep everything you write from sounding like the same song
with a different title.
Guitar Backup –
Larry Unger of Sugarfoot – intermediate – Auditorium
We’ll look at guitar
backup of melody players in several styles including old-time bass runs, Irish
drone chords and alternate voicings, swing chords, playing by ear, and right
hand techniques.
Beginning Fiddle –
Tina Czajkowski – Room 145
Let's start
fiddling around! If you are just beginning your fiddling journey, this workshop
will give you a basic roadmap to follow. We'll cover the basics, including how
to hold and use the fiddle and bow, left-hand finger placement, how to get good
intonation, and how to start producing a good sound. We will also cover some
easy backup techniques to get you started fiddling in jam sessions.
Recorder Techniques
– Scott Reiss of Hesperus – all levels – Room 146
For recorder and open-hole
flute players, we’ll look at techniques of articulation, tone production,
and ornaments. See how techniques of breath and fingers can vary the sound
quality with pitch-bending ornaments, finger vibrato and flutter tonguing.
Old Time Banjo –
Bruce Hutton of Hesperus – all levels – Room 148
We’ll look at
techniques on the old-time banjo, including different keys and modes, right
hand techniques of cashmere and finger-picking, left hand techniques for simple
melody with drone, and chords for both back up and melodic playing. Bruce will also demonstrate a variety
of sounds resulting from different banjo designs using banjos from the mid 19th
century to the early 20th century. Bring any model 5-string banjo, and a
fretless too if you have one.
Hammered Dulcimer
Techniques – Randy Marchany of No Strings – adv beginner and up
– Room 213
Come learn some basic
exercises to improve your hammer technique and control. The patterns are based
on standard snare drum patterns and we'll break down some of the well-known
hammering techniques such as flams and trills into their component parts. Split
hand drills and single note drills will also be taught.
Saturday 12:30-1:30
– Lunch
Lunch is available for
purchase at Gemmel Student Center. Bring your instrument for a lunchtime jam
with Howard and Jodi.
Saturday 1:45-3:00 p.m. –
Workshop 3
How to Jam – Tina
Czajkowski – all instruments – beginners – Room 120
If you've sat
quietly at jam sessions wishing you knew how to jump into the music, this
session is for you. Tina starts from the beginning and shows you step by step
how to join in on tunes you don't know.
Easy Chord Substitutions
– Out of the Blue – all instruments – advanced beginner
– Room 212
Ready to add some drama to
your music? We can do it with
chord substitutions! Learn how to
add variety to your sound by substituting the expected chord with a more interesting
one. The best thing about chord
substitutions is that they’re easy to learn and easy to do!
Sephardic Tunes –
Scott & Tina of Hesperus – all instruments – intermediate
– Room 214
When the Jews were expelled
from Spain in 1492, they scattered throughout Europe and North Africa.
Everywhere they went, their music took on the characteristics of their adopted
countries. This class offers a selection of the best Sephardic music from
around the world. We’ll learn by ear, and sheet music will be provided at
the end of the workshop.
Driving the Dancers Wild
– Larry, Lissa, & Rachel – all instruments – advanced
– Room 231
What makes contradance music
exciting? Start with a rock solid
beat, add some exciting medleys and transitions, and bring in a few simple
tricks; then you've got a recipe to heat up the dance floor! Music will be provided.
Old
Time Jam – Bruce Hutton of Hesperus – lobby or outside
We’ll play and sing
old-time music in this fun jam session.
Images of Women in Folk
Music – Aubrey of Atwater/Donnelly – lecture – Little Theatre
Folk music is a fascinating
window into the lives of poorly documented people in history. Hear about "ordinary" as well
as extraordinary women in history through the old songs which will make you laugh,
cry, squirm, and sigh.
Song Performance –
Karl Colón of Changeling – all levels – Sandford Gallery
What's the difference between
singing, selling and over-doing a song? Performing a song is like cooking
– you have to use just the right amount of everything to make something
that will please a wide range of tastes. Come explore some of the basic
ingredients of a successful song performance and maybe even try a little
something out on a partner! A fun,
easy way to gain some insight into how we sing and listen to singers.
Slide & Blues Guitar
– Sparky Rucker – advanced beginner/intermediate – Auditorium
For guitar players who know
a variety of chords, come learn bottleneck or slide guitar techniques as well
as blues finger-picking styles. Please bring a steel stringed guitar, since you
can’t play bottleneck on plastic or gut strings. Also bring a medium to
heavy metal slide. Glass is ok if it’s heavy glass. Note: a spark plug socket wrench works!
Technical Challenges on
Fiddle – Deborah Colón of Changeling – advanced beginner
– Room 145
What are you stuck on? How would you like your playing to be
different? Bring along your technical challenges and sticking points. This is an open workshop for questions
about handling the instrument and getting the sound you'd like.
Beginning Blues Harmonica
– Rhonda Rucker – Room 213
Come learn the basics of
blues harmonica. We’ll discuss the cross harp in detail, and several
beginning tunes will be taught by ear. Blues improvisation is discussed, along
with techniques such as bending notes, chugging, trills, and specific blues
riffs. Please bring a diatonic
harmonica in the key of A.
Mandolin Techniques
– Sam Bartlett of Sugarfoot – all levels – Room 146
We will explore the basics of mandolin technique by learning a tune (by ear) and looking at the right and left hand techniques that go into playing.
Saturday 3:15-3:45 pm – Presentation: Arranging
Folk Music – Simple Gifts – Little Theatre
This session is the kick-off to the Folk Band rehearsals which follow. Simple Gifts presents ideas for how to transform a simple melody into an interesting performance piece, including a focus on the beginning and end; ideas for varying texture, dynamics, rhythm, and harmony; and tips for sounding more professional. No instruments needed.
Saturday 4:00-5:30 pm – Folk Band Rehearsal
Based on the form you filled out during the orientation meeting (Saturday 8:45am), you’ll be assigned to a band that will rehearse with the help of a staff coach. The goal for those who wish is to arrange a piece to perform at Sunday’s Student Concert.
Saturday 5:45-7:15 pm – Dinner
You’re on your own for dinner, and there are plenty of good restaurants to pick from in Clarion. If you’d rather do something quick and inexpensive, go to the Subway or Wendy’s right across the street from the chapel. There’s usually a group of Folk College attendees at both; feel free to join them.
Saturday 7:30 pm – Staff Concert – Hart
Chapel
Simple Gifts, Small Potatoes, Sparky & Rhonda Rucker, and No Strings Attached perform.
Saturday 10:00 pm – Jamming – Hart Chapel,
Founder's Hall, and the Library
Slow Jam: Well Tempered String Band - Library on the right
Advanced Jam: Hesperus - Chapel basement
Singing Jam: Sparky & Rhonda Rucker - Library on the left
Contradance with Open Band: Rachel, Sugarfoot, & Shawn Brennaman - Chapel stage
Form your own jam - Founder’s Hall and small rooms at the library
Saturday 11:30pm – Jamming – Campbell Hall
Dorm
Late night intermediate-level jam with Steve Buckalew & Catherine Chapman in the dorm lobby.
NEW this year: Organize your own jam in the dorm
Sunday 8:00am – Continental Breakfast at
Marwick-Boyd
Sunday 9:00-10:15 am – Workshop 4
Hearing Chord Changes – Out of the Blue – all
instruments – beginners – Room 120
Having trouble figuring out where a tune changes chords and how to know what chord comes next? Dori and Tom will show you how. Bring your instrument for some practical, hands-on chord theory.
Waltzes – Larry Unger & Sam Bartlett of
Sugarfoot – all instruments – adv beginner – Sandford Gallery
We’ll look at a few waltzes covering very different styles, with a focus on rhythm, harmonies and improvisation. Sheet music provided.
Klezmer Tunes – Linda & Rachel of Simple Gifts
– all instruments – intermediate – Room 213
Klezmer is the beautiful, haunting, often energetic music of Eastern European Jews. Linda and Rachel will teach a couple of Klezmer tunes and show you how to play the often complex modes of traditional Klezmer music, as well as how to ornament, vary, accompany and improvise. Sheet music provided.
Power of Backup – Karen Hirshon of Simple Gifts
– all instruments – intermediate – Room 212
Many people believe that it's a flashy lead player that makes a band shine, but Karen will convince you that as much power and strength come from the backup. We'll examine the power and subtlety that dynamics, texture, and rhythms can add to a band's sound.
Sunday 9:00-10:15 am – Workshop 4 (continued)
Advanced Improvisation – Randy & Wes of No
Strings – all instruments – advanced – Room 231
Come learn advanced techniques in improvisation, using standard chord progressions as the basis for improvisation exercises. We’ll apply these techniques to a variety of styles including jazz, old-time, bluegrass and Celtic.
Singing Circle – Sparky & Rhoda Rucker –
jam – lobby or outside
Let’s get together and blend our voices for a fun and relaxed singing session. Bring along any songs you’d like to share. Instrumentalists are welcome too.
Medieval and American Folk Music in Fusion –
Hesperus – lecture – Little Theatre
Hesperus is known for its fusion of European early music and American traditional styles like blues, Appalachian, Cajun, and vaudeville. Why do they do it? What do early music & American folk music have in common? Hesperus tells all and invites your questions.
Advanced Fingerstyle Guitar – Rich Prezioso of
Small Potatoes – Room 146
We'll learn an arrangement of a slow, pretty fiddle tune and
use it to discuss approaches to smooth, lyrical playing, tone production, and
ornamentation. Guitar tab will be provided.
Advanced Fiddle Techniques – Lissa Schneckenburger
of Sugarfoot – Room 145
This workshop is for fiddlers who already have a sizable repertoire of tunes and are interested in being able to play those tunes better. We will work on aspects of tone, rhythm, and bow control. Please bring a specific question or a tune you’re having trouble with.
Advanced Harmonica – Pete Hastings of No Strings
Attached – Room 148
For harmonica players who know how to bend notes, this workshop will address more advanced techniques used in playing bluegrass, Irish tunes, and the blues, and we’ll also discuss some music theory. Please bring a harmonica in the key of D.
Bass – Bob Thomas of No Strings Attached –
Room 213
Depending upon class interest, we will cover finding an instrument, setting it up, playing simple bass lines for folk tunes, bass runs & fills, walking lines, soloing, bowing, and slapping. Bring your questions.
Intermediate Clogging – Aubrey Atwater of
Atwater/Donnelly – Auditorium
Aubrey will teach clogging steps learned from the masters in the American South. If you have steps to teach, you are welcome to contribute to the workshop. If time allows, we will create a short routine together as a group. Please wear light clothing, and smooth, hard-soled shoes.
Sunday 10:30-11:45 am – Workshop 5
Playing Anything on Anything – Wes Chappell of No
Strings – all instruments – beginner – Room 120
This workshop explores using instruments as well as things you may have around the house in a manner that they aren't normally used. Participants are encouraged to bring their imaginations and anything they can think of to be used to make music. We will talk about how certain instruments are often assumed to be for certain styles and why that ain't necessarily so.
Looking at Rhythm – Atwater/Donnelly – all
instruments – advanced beginner – Room 212
Explore the fundamentals of rhythm in American folk music, including a look at the multiple layers of rhythm that occur in traditional songs and tunes. We will explore the rhythmic contributions of African, Native and European people that make American folk music unique.
Pickin’ the Blues – Pete & Bob of No
Strings Attached – all instruments – intermediate – Room 231
We’ll experiment with blues styles from ancient to contemporary, Mississippi to Chicago, country to jazz and look at playing both back-up and solo. By ear.
Sunday 10:30-11:45 am – Workshop 5 (continued)
Renaissance Dance Music
– Hesperus – all instruments – intermediate –
Auditorium
Dance tunes from the Renaissance
have great variety—from the melancholy ‘Hobokentanz’ from
composer/arranger/publisher Tielman Susato to the rocking bransles from Jacques
Moderne’s collection. Learning 16th century tunes isn’t
much different from learning Old-time or Irish tunes; come pick up a few and
jam with us on them. We’ll learn by ear, and sheet music will be provided
at the end of the workshop.
Swedish Tunes –
Rachel Hall of Simple Gifts – all instruments – advanced –
Room 214
Swedish music can be
beautiful, lush, and full of interesting harmonies. You’ll learn three
common Swedish dance forms - a schottische, a hambo, and a polska. The focus
will be on style and harmony playing. Sheet music provided.
Tune Writing – Larry
Unger of Sugarfoot – all levels – Room 213
First Larry will write a tune
and then the group together will write at least one tune. We will discuss how
to get started, techniques used to create tunes, and how to combine ideas into
one cohesive piece.
The Last Jam – Lissa
Schneckenburger & Sam Bartlett of Sugarfoot – lobby or outside
It’s not necessarily
the last jam of the weekend, but this is the last planned and organized
staff-led one. Join Lissa and Sam for a relaxed jam where we’ll focus on
commonly known tunes.
Songs & Stories of
Slavery – Sparky & Rhonda Rucker – lecture – Little
Theatre
This special historical
program gives a unique perspective into the songs and stories of slavery,
abolition, and the Underground Railroad. Personalities such as Frederick
Douglass, William Lloyd Garrison, and Harriet Tubman are brought to life
through story and song.
Backing up a Singer
– Small Potatoes – Sandford Gallery
You don't have to be a
virtuoso to add interesting and supportive touches to a song. You’ll
learn both basic and advanced ideas that help enhance what a singer (or other
instrumentalist) is doing. The examples will be demonstrated on guitar but the
ideas work for all instruments.
Intermediate Fiddle
– Tina Chancey of Hesperus – Room 145
We’ll look at bowings,
ornaments, accents, drones, counter melodies and improv styles to be used with
Irish, Cajun, Appalachian, and medieval/renaissance music.
Beginning Penny Whistle
– Karl Colón of Changeling – Room 148
Its got six holes and a
mouthpiece – how hard can it be to play? Actually, playing the Irish pennywhistle
is as deceptive as it is delightful.
Come discover what makes Irish whistle playing Irish, along with a tune
or two. Aimed at the absolute
beginner, but also helpful for folks looking for information on Irish
ornamentation.
Intermediate/Advanced
Piano – Randy Marchany of No Strings Attached – Room 209
This workshop teaches
techniques that can be used to play either lead or backup for jazz, old-time,
contra, and Celtic melodies. Basic
chord progressions will be used as building blocks in arranging and phrasing
the melodies. Backup techniques will be emphasized. A roomful of pianos is
provided.
Sunday noon-1:00 pm
– Folk Band Rehearsal
This will be another
rehearsal with the same group you worked with on Saturday.
Sunday 1:15-2:15
– Lunch
Gemmel Student Center will be
open again for a quick, inexpensive lunch.
Sunday 2:30-4:30 pm
– Student Concert – Hart Chapel
Any of the folk bands who
wish will have an opportunity to perform for all. For many of us, this concert
is the highlight of the weekend, so please plan to stay to the end to perform
and to support your fellow performers.
Sunday 6:00 pm –
Dorm Checkout
Please check out of the dorm
by 6:00 pm. If you’d like to stay over Sunday night, please inquire at
the registration desk.